Thursday, May 13, 2010

Tech, Incomplete

Unphotography images of the week:

The Historic theatre is getting ready to receive the Liz Lerman Dance Exchange. The stage is matte black, three electrics are dropped and fully hung. There's a cream canvas crate downstage center with a stack of large printouts (they're light plots and associated paperwork for the hang, but the camera can't see so closely). There's a single work light on and it's focused downstage center, perfectly illuminating the canvas crate and paperwork. Anticipation.

Costume shop, a wooden table with an off-white sewing machine and various accoutrement including 2 seam rippers and a curved razor. On the right side of the table is a pile of white lace that the observing viewer might recognize as Hesione's final dress in Triumph. On the left side of the table is a pile of pink, white, and grey fabrics all swirled together. These were once the flowers that decorated the dress. Now the dress is a pile of lace and the flowers are just scraps. Cessation.

Just Working Through Things

ETA: I didn't actually manage to cross post this entry when I wrote it this past weekend. Better late than never?

Tomorrow is the final performance of Triumph of Love. I haven't really processed that yet.

For someone who has had many of the same friends since 1st grade, the fleeting nature of theatre is sometimes really scary. In less than 24 hours, Triumph will be a collection of memories.

Part of me is looking forward to the time I'll have to myself. By working standard shop hours (10-6 Monday through Saturday) I'll have a chance to see more theatre in the community. I haven't seen anything other than my own show in either May or April, so I'm looking forward to remedying that.

My body is also tired. My back is sore from doing the hand laundry in an unfortunately low and deep sink. My head is tired of my ClearCom headset and the associated brain squeezing. And I have bruises in the shape of Hubert's heels on my knee thanks to the quickchange.

But.

This cast is amazing. The show is fantastic fun both to watch and to work. I have lots of quick and fast changes for lots of people (six out of seven cast members have at least one quick or fast change). I get to hang out in the traps and hand props up to an actor. I get to release spring-loaded poppies. I get to be regaled with stories from my actors' youths. And I get to watch this amazing show night after night.

I'm not ready to say goodbye!